Today is the sixth day we've been working on the sheer clamp. It has been haunting our dreams.
We've made a lot of small adjustments, including some changes to the structural layout of the frames. We now believe (though we may be delusional) that things are more symmetrical, plumb, level, true, fair, and all other words that mean good.
This picture below shows us in triumph (for the moment) next to the boat with sheer clamp temporarily attached. If you can pull your eyes away from the riveting sight of my ass, the 2 sheer clamps can be seen held to the stem with the two c-clamps and pink string.
To the left is a picture of the completed boat design that we are building. I hope this sheds some light on the subject for those who've asked. The design is called John Dory, and was made by a Scottish man named Iain Oughtred.
Here are a couple of shots of us working on the transom. Its a piece of dark red meranti, which is also called "Philippine mahogany," though I guess its not technically mahogany.
In the this shot you can see us working on the bevel that the planks will line up against. Hopefully...
This is a look at how the transom will eventually be mounted to the rest of the boat. Are you visualizing?? Can you see it??
This video shows us goofing around a lot, trying to get ready to rip our big white oak board into 2" x 1/8" strips. It took us awhile to set up, because the board wasn't two inches high. We solved that problem by making the cuts at an angle thus increasing their measurement to 2"+.
However, when we started ripping with the table saw, we realized that a lateral bow in oak meant that we couldn't line the board up accurately on the table saw. Starting at 0:08 or so, we begin planing the board offscreen.
After we rip the board into something like 20 strips (lams), we have to set up the jig that we will be bending them on. This requires cleaning off the table, marking out the structure of the curve from the plans, and then using a batten to draw a fair curve. As you can see, this takes me a long, long time. Drew has to help.
Then we aligned blocks along the curve, using a unnecessarily labor intensive drilling and screwing procedure that looks like some sort of complicated dance. This is my favorite part in all the movies. Its also a little embarrassing.
After setting up the blocks, we quickly and with almost no fanfare clamp the lams to the jig. Thats what all this work was leading up to.
Here we are setting up the frames on the jig. You can see that the boat will be build upside down. The video is shot from the stern, so what will be the bow is at the far end of the garage.
The frames are first screwed together with gussets. We used silicon bronze screws. After assembling the frames, we took them apart, coated the joints with epoxy and reassembled them.
The two of us, JD Ross and Drew, are building Iain Oughtred's "John Dory," a variation of the Swampscott Dory. When it's finished, we will row and sail it to Alaska.
Our shop is in Olympia, Washington where we're both from, and where Drew currently lives. JD Ross lives in San Francisco, but not for long.